{"id":1435,"date":"2023-01-23T10:35:08","date_gmt":"2023-01-23T10:35:08","guid":{"rendered":"https:\/\/oceanrebellion.earth\/?p=1435"},"modified":"2023-04-06T11:53:19","modified_gmt":"2023-04-06T11:53:19","slug":"the-good-captain-qa-with-author-sean-rabin","status":"publish","type":"post","link":"https:\/\/oceanrebellion.earth\/es\/the-good-captain-qa-with-author-sean-rabin\/","title":{"rendered":"El Buen Capit\u00e1n. Preguntas y respuestas con el autor Sean Rabin."},"content":{"rendered":"
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Autor australiano Sean Rabin<\/a> novela El Buen Capit\u00e1n<\/a> es un thriller medioambiental que advierte contra la complacencia ante la crisis clim\u00e1tica. Ambientada a mediados del siglo XXI, en una \u00e9poca de ca\u00edda en picado de las poblaciones de peces, presenta un panorama inquietante de lo que pronto podr\u00eda ser el mundo. La historia sigue a un grupo de ecologistas radicales comprometidos con la desobediencia extrema y decididos a desafiar a los poderes que amenazan lo que queda de la vida marina de la Tierra. Su barco, simb\u00f3licamente llamado Mama, est\u00e1 capitaneado por el formidable Rena, que naci\u00f3 y creci\u00f3 en el oc\u00e9ano. Aqu\u00ed habla con Sally O'Reilly. <\/em><\/p>\n\n\n\n

Art\u00edculo por cortes\u00eda de Escritores Rebeldes.<\/a><\/em><\/p>\n\n\n\n

Sally O'Reilly: <\/strong>\u00bfEn qu\u00e9 se inspir\u00f3 para escribir El buen capit\u00e1n? \u00bfC\u00f3mo resumir\u00eda los temas de la novela?<\/p>\n\n\n\n

Sean Rabin:<\/strong> Practicar snorkel en Grecia hace veinte a\u00f1os y ver un mar Mediterr\u00e1neo est\u00e9ril sin duda plant\u00f3 la semilla de este libro. A partir de ah\u00ed, fui investigando los efectos de la pesca industrial, la acuicultura, la contaminaci\u00f3n por pl\u00e1sticos y el calentamiento de los oc\u00e9anos. Los australianos pasamos gran parte de nuestro tiempo en el oc\u00e9ano o cerca de \u00e9l -nos decimos a nosotros mismos que tenemos una profunda conexi\u00f3n con el mar-, pero me sorprendi\u00f3 lo poco que la gente sab\u00eda sobre la disminuci\u00f3n de las poblaciones de peces y c\u00f3mo algunas personas evitaban voluntariamente esa informaci\u00f3n para proteger su estilo de vida. La gente se ha vuelto muy eficiente a la hora de evitar informaci\u00f3n no deseada, as\u00ed que he intentado escribir un caballo de Troya: una novela que, en apariencia, se presenta como un thriller marinero y, al mismo tiempo, revela los problemas a los que se enfrentan el oc\u00e9ano y sus habitantes. El resultado es esencialmente una fantas\u00eda de rendici\u00f3n de cuentas: llevar ante la justicia a personas que traicionan sus posiciones de poder en detrimento de nuestro planeta. A partir de ah\u00ed, tambi\u00e9n se abordan temas como el lugar de la humanidad en el mundo natural, el activismo, el dolor por el planeta y la escucha de las historias que la Tierra trata de contarnos.<\/p>\n\n\n\n

Sally O'Reilly:<\/strong> La narraci\u00f3n se sit\u00faa en un futuro pr\u00f3ximo en el que la sobrepesca catastr\u00f3fica ha alcanzado el punto de crisis. \u00bfC\u00f3mo lo investig\u00f3?<\/p>\n\n\n\n

Sean Rabin:<\/strong> Le\u00ed mucho; examin\u00e9 mi relaci\u00f3n con el mar; contempl\u00e9 la dolorosa tristeza de un oc\u00e9ano vac\u00edo y me pregunt\u00e9 hasta d\u00f3nde llegar\u00eda para evitar que eso ocurriera. Las amenazas al oc\u00e9ano que se mencionan en el libro son reales: las poblaciones de peces se desploman, la acuicultura crea zonas muertas, las manadas de orcas mueren por la contaminaci\u00f3n, las olas de calor marinas, las mareas rojas, los arrastreros subvencionados diezman el fondo marino y los tiburones se enfrentan a la extinci\u00f3n. No cuesta mucho imaginar a d\u00f3nde nos llevar\u00e1n estas cosas. Al principio, mi intenci\u00f3n era situar El buen capit\u00e1n en un futuro lejano, pero cuanto m\u00e1s investigaba, m\u00e1s se acercaba el futuro.<\/p>\n\n\n\n

Sally O'Reilly:<\/strong> \u00bfCu\u00e1l cree que puede ser el papel de los escritores en el Antropoceno?<\/p>\n\n\n\n

Sean Rabin:<\/strong> Parece una paradoja, pero los escritores tienen que usar su imaginaci\u00f3n y al mismo tiempo decir la verdad. Tenemos que ayudar a la gente a ver c\u00f3mo puede ser el futuro, y tambi\u00e9n ser honestos sobre c\u00f3mo ese futuro puede no ser feliz o seguro. No podemos permitirnos mentir a nuestros lectores y decirles que todo va a ir bien s\u00f3lo porque eso har\u00e1 que nuestros libros sean m\u00e1s vendibles o m\u00e1s f\u00e1ciles de digerir. La esperanza puede ser un enga\u00f1o, un anest\u00e9sico contra el miedo y el dolor. La esperanza puede ser una droga que nos impida hacer algo real. Los escritores no nos dedicamos a vender esperanza, sino a explicar lo que vemos para ampliar la percepci\u00f3n del mundo por parte de la humanidad. Los escritores tambi\u00e9n tienen que situar el medio ambiente en el centro de la historia y no utilizar el cambio clim\u00e1tico como mero tel\u00f3n de fondo de los t\u00edpicos dramas humanos: lo \u00fanico que se consigue con ello es reforzar la idea de la supremac\u00eda humana, de que lo que les ocurre a los humanos es la historia m\u00e1s importante que hay que contar. Los escritores pueden ayudar a la gente a percibir c\u00f3mo la naturaleza tiene voz e historias que compartir; quiz\u00e1 entonces m\u00e1s gente se d\u00e9 cuenta de lo que est\u00e1 en juego y de por qu\u00e9 merece la pena luchar por ello.<\/p>\n\n\n\n

Sally O'Reilly:<\/strong> \u00bfHay alg\u00fan pensamiento o idea concretos que le motiven a actuar ante la emergencia clim\u00e1tica y ecol\u00f3gica? <\/p>\n\n\n\n

Sean Rabin:<\/strong> \u00bfC\u00f3mo le explicar\u00e9 a mi hijo ad\u00f3nde fueron a parar todos los peces? \u00bfQu\u00e9 hice para intentar evitar semejante desastre? \u00bfSeremos los monstruos de las pesadillas de nuestros nietos? Esta fue sin duda mi motivaci\u00f3n inicial para escribir El buen capit\u00e1n. Pero una vez que te das cuenta de que \u00e9ste es un planeta azul -que el 70% de la Tierra est\u00e1 cubierto de oc\u00e9anos-, de c\u00f3mo regulan las temperaturas globales, de que proporcionan el 80% de nuestro ox\u00edgeno, de nuestra agua dulce, de que suministran prote\u00ednas a mil millones de personas, de que capturan carbono y almacenan el calor atmosf\u00e9rico, de que toda la vida en la Tierra se origin\u00f3 en el mar, la idea de un oc\u00e9ano est\u00e9ril y \u00e1cido es aterradora, no s\u00f3lo desde un punto de vista moral, no s\u00f3lo desde un punto de vista po\u00e9tico, sino desde un punto de vista existencial. Quedarse de brazos cruzados parece imposible. \u00bfQu\u00e9 historia podr\u00eda ser m\u00e1s importante que salvar el \u00fanico hogar que ha conocido la humanidad?<\/p>\n\n\n\n

\n\n \n Como el<\/span>\n \n \n el mar muere<\/span>\n \n \n morimos<\/span>\n \n \n <\/h2>\n\n\n\n\n

Sally O'Reilly:<\/strong> \u00bfTiene una visi\u00f3n de un futuro regenerador? \u00bfPuede la literatura contribuir a crear ese futuro?<\/p>\n\n\n\n

Sean Rabin:<\/strong> Ciento cincuenta millones de toneladas de fauna y flora extra\u00eddas del oc\u00e9ano cada a\u00f1o. Ochenta por ciento de las pesquer\u00edas del mundo explotadas al m\u00e1ximo, sobreexplotadas o en estado de colapso. Desaparici\u00f3n del 90% de los grandes depredadores. Cien millones de tiburones muertos cada a\u00f1o. El oc\u00e9ano se est\u00e1 vaciando, pero si lo dejamos en paz se curar\u00e1 solo. No hacen falta nuevas m\u00e1quinas ni sistemas de gesti\u00f3n: basta con sacar los malditos arrastreros del agua y el oc\u00e9ano se recuperar\u00e1. La literatura puede revelarnos c\u00f3mo tenemos que quitarnos del centro de la historia, dejar de fingir que de alg\u00fan modo tenemos el control, y entonces quiz\u00e1 podamos empezar a vernos a nosotros mismos como participantes en una historia mucho mayor, una historia con verdadero significado y prop\u00f3sito. Wilding, de Isabella Tree, es un ejemplo bastante convincente del papel que puede desempe\u00f1ar la literatura a la hora de mostrar a la gente lo que se puede hacer.<\/p>\n\n\n\n

Sean Rabin es autor de dos novelas, The Good Captain (2020, Transit Lounge) y Wood Green (2016 Giramondo), as\u00ed como de un pu\u00f1ado de relatos cortos publicados. Naci\u00f3 en Tasmania, pero ahora vive en S\u00eddney, donde sue\u00f1a con un mundo en el que el pescado s\u00f3lo se consuma como \u00faltimo recurso, por personas que no tienen otra cosa. Es consciente de que esto har\u00e1 que muchas empresas de productos del mar pierdan mucho dinero, pero sinceramente no le importa.<\/em><\/p>\n\n\n\n

Fotograf\u00eda de Ilya Fisher.<\/p>","protected":false},"excerpt":{"rendered":"

Australian author Sean Rabin\u2019s novel The Good Captain is an environmental thriller that warns against complacency about the climate crisis. Set in the mid 21st century during a time of plummeting fish stocks, it presents a disturbing picture of what the world might soon become. The story follows a group of radical environmentalists committed to extreme disobedience and determined to challenge the powers threatening the […]<\/p>\n","protected":false},"author":6,"featured_media":1437,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"give_campaign_id":0,"footnotes":""},"categories":[1],"tags":[13,35,7,8],"class_list":["post-1435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-blue-carbon","tag-bottom-trawling","tag-opinion-piece","tag-overfishing"],"acf":[],"yoast_head":"\nThe Good Captain. 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